World Ka Centre (Center of the World, 2002) — Directors’ Cut
World Ka Center is about a group of lower-middle-class friends in Lahore spending their final day together on 9/11, as one prepares to leave for a flight to the United States that night.
Directors and writers: Faisal Rehman, Bilal Hasan Minto
Runtime: 60 minutes
Country: Pakistan
Language: Urdu, with English subtitles
Format: Made-for-TV film
Production company: Turun Talky
Original Broadcaster: Geo Television (late-night slot, single documented airing)
Awards: Special Jury Award, Kara Film Festival 2002; Third Prize, Best TV Film and Director
Distributor: Khajistan Releasing
Synopsis: World Ka Center is a made-for-TV fiction film set over a single day in Lahore on September 11, 2001. The story follows a group of working-class friends who are spending their final hours together before one of them leaves for a flight to the United States that night. As they move through the city, sharing bootlegged drinks, smoking hash, and watching a blue film in a cramped room, their fragile brotherhood unfolds under the quiet pressure of a police-like presence that shadows their movements.
In nearby homes, the film shifts to the interior lives of women. A housewife passes the time moving between television channels and VCD shops in search of Bollywood films, while a young girl remains in her room reading Urdu digests and listening to FM radio. Their routines stand in contrast to the men’s fleeting sense of freedom.
Aired only once on Pakistan’s newly launched Geo Television, World Ka Center lingers on the textures of everyday life in Lahore on a historic day, revealing private desires, small rebellions, and the overlooked rhythms of a city on the edge of global events.
Themes: Urban alienation, Friendship and youth culture, Class struggle and socioeconomic precarity, Masculine intimacy & homosocial bonds, Censorship and moral policing, Escape, desire and disillusionment
Note: Email info@khajistan.com for acquisitions and licensing.
Our Publications
Exhibition Catalog
-
Khajistan Head (2023, Pakistan) – Original Framed PaintingSold out
Sold out -
Baraat Kissing (2023, Pakistan) – Original Framed PaintingSold out
Sold out -
Khajistan Traffic Jam (2023, Pakistan) – Original Framed PaintingSold out
Sold out -
Pussy Aunty Hand-Painted Tin Sign (1990s, Punjabi)Sold out
Sold out -
Miss Fit Fart Handmade Tin Sign (1990s, Punjabi)Sold out
Sold out -
Sher Dil (Lion Heart, 2015) – Framed Original Lollywood Film PosterSold out
Sold out -
Basanti (2008) – Framed Original Lollywood Film PosterSold out
Sold out -
“Bilo 302” — 2007 Framed Original Lollywood Film PosterSold out
Sold out -
Kala Gujjar (Black Gujjar, 2003) – Framed Original Lollywood Film PosterSold out
Sold out -
Dior Lūti (2020s, Iran) – Framed ArtSold out
Sold out -
Dove in Descent – Framed ArtSold out
Sold out -
Alladin Da Chiragh (Aladdin’s Lamp, Punjabi) – Framed ArtSold out
Sold out -
Visitor at Dawn (زائر الفجر, Arabic, 1973) – Framed PosterSold out
Sold out -
The Black Sunglasses (النظارة السوداء, Arabic, 1963) – Framed PosterSold out
Sold out -
Meesna Pigeon (Pakistan) – Framed ArtSold out
Sold out
Madrassa
-
Read more: Archive Forensics: Firdusi No. 5, November 1978 — In That Suffocation, If Only They Had Let Us Be
Archive Forensics: Firdusi No. 5, November 1978 — In That Suffocation, If Only They Had Let Us Be
Archive Forensics: Part of an Ongoing Series In Archive Forensics, we pull one magazine out of Khajistan's digitized archive and read it closely. T...Read more -
Read more: Archive Forensics: Al-Dunya al-Musawwara (Issue 34, 8 January 1930) – The Illustrated World
Archive Forensics: Al-Dunya al-Musawwara (Issue 34, 8 January 1930) – The Illustrated World
Archive Forensics: Part of an Ongoing Series In Archive Forensics, we pull one magazine out of Khajistan's digitized archive and read it closely. T...Read more -
Read more: Archive Forensics: Eastern Film (October 1971): "A Cinema in Denial"
Archive Forensics: Eastern Film (October 1971): "A Cinema in Denial"
A close reading of Eastern Film’s October 1971 issue, showing Pakistan’s film industry before Bangladesh through studio reports, censorship, star profiles, advertisements, reader letters, and release blockages.
Read more